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16-Week Studio Course ยท Meets 2 Days a Week

Master Photoshop โ€” from blank canvas to portfolio-ready artistry.

Everything for the course lives here: the week-by-week curriculum, group projects, detailed reading notes, screencast recordings, and downloadable practice files โ€” all in one workspace.

16Weeks of curriculum
32Daily lessons & flip cards
4Projects
23Screencast recordings
Home workflow

Your Learning Workflow

Follow your course in order: Read Me โ†’ Screencast โ†’ Practice โ†’ Assessment โ†’ Phase One Assessment โ†’ Project.

Phase One ยท Weeks 1โ€“4
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Overall Phase One Mark
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Progress will update as you complete each step.
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Curriculum

Flip through every week โ€” interface basics to 3D pop-out effects and double exposure posters.

Projects

Individual projects with instructions, city choices, rubrics, and submission tracking.

Read Me Notes

Deep-dive written lessons with tools, tips, analogies and step-by-step instructions โ€” downloadable as PDF.

Screencasts

Every recorded class walkthrough โ€” plays right inside the page in a cinema-style player.

Practice Files

Downloadable source images and exercise files, previewed right inside the card.

Additional Materials

23 extra resources from your instructor, previewed right inside the card.

Assessment

Quick checks generated from the Read Me notes and screencast descriptions.

Phase 1 Assessment

15-question Month 1 assessment covering Weeks 1โ€“4 with marked questions and saved progress.

My Progress

Your grade, completed lessons, week quizzes, reading, and screencasts โ€” all in one place.

Curriculum

Class meets 2 days per week. Tap any card to flip it and mark that lesson complete. Progress is saved automatically. Finishing both days in a week pops up that week's check-in quiz.

Week 1 โ€” Graphic Design Software & Foundations

Day 1: Graphic Design Software

A tour of the apps designers use โ€” Photoshop, Illustrator, Photopea, Canva and more.

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Vocabulary

Photoshop โ€” Adobe's industry-standard raster photo-editing software., Illustrator โ€” Adobe's vector-based illustration software., Photopea โ€” A free, browser-based editor compatible with Photoshop files โ€” no install needed., Canva โ€” A beginner-friendly, drag-and-drop design tool for quick social/print graphics., InDesign โ€” Adobe's page-layout software for multi-page documents like magazines and books.

Different software suits different jobs: raster editors for photos, vector tools for logos and scalable art, layout tools for multi-page documents. This class uses Photopea, a free browser-based Photoshop alternative.

Day 2: What is Graphic Design?

The elements and principles that make visual communication actually work.

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Vocabulary

Graphic Design โ€” Visual communication that uses images, typography and layout to convey a message., Typography โ€” The art of arranging type so it is readable and visually appealing., Layout โ€” How elements are arranged and positioned on a page or screen., Balance โ€” How visual weight is distributed across a design., Contrast โ€” Making one element stand out by making it different from the rest.

Good graphic design isn't decoration โ€” it's communication. Every color, font, and placement choice should serve the message you're trying to send.

Week 2 โ€” Photopea, Pixels & Layers

Day 3: Photopea Interface, Pixels & Raster

Tour the Photopea workspace, then learn what pixels and raster images actually are.

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Vocabulary

Workspace โ€” The arrangement of menus, panels and tools you work in., Panels โ€” Dockable windows like Layers, History and Properties., Pixel โ€” The smallest square of colored light that makes up a raster image., Raster โ€” Images made of a grid of pixels โ€” detailed, but not infinitely scalable., Vector โ€” Graphics built from math-based paths โ€” scalable to any size without blurring.

Photopea's layout mirrors Photoshop's, so everything you learn here transfers directly. Knowing pixel vs. raster vs. vector is the foundation every later editing decision builds on.

Day 4: Destructive vs. Non-Destructive Editing & Layers

Why layers matter, and how to edit without ever harming your original image.

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Vocabulary

Layer โ€” Photoshop's building blocks โ€” stacked, independent pieces of an image., Destructive Editing โ€” Editing that permanently changes the original pixels., Non-Destructive Editing โ€” Editing that preserves the original image and can be undone or adjusted later., Group โ€” Organize multiple layers together into one folder., Opacity โ€” Adjust how visible a layer is, from fully hidden to fully shown.

Layers let you edit non-linearly โ€” nothing is permanent until you flatten the file. Always prefer non-destructive techniques so you can change your mind later without starting over.

Week 3 โ€” Around the World with a Twist (Project Week)

Day 5: Removing Backgrounds

Remove the original background and prepare a clean subject edge for the new composition.

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Vocabulary

Select Subject / Background Remover โ€” Automatically detects and separates the subject from its background., Smudge Tool โ€” Pushes and blends pixels like wet paint โ€” great for softening rough cutout edges., Fringe / White Line โ€” A thin leftover strip of the old background color left behind around a cutout., Defringe / Contract โ€” Shrinks a selection edge inward slightly to remove leftover background pixels., Layer Mask โ€” Hides parts of a layer non-destructively so the cutout stays fully reversible.

Even a clean selection often leaves a faint white line around the edges. Zoom in to 200%+ and use the Smudge Tool (or Defringe/Contract) to blend that line away so the cutout sits seamlessly against its new background.

Day 6: Smudge Tool + Minimum + Gaussian Blur

Use the Smudge Tool to refine edges, Filter โ†’ Other โ†’ Minimum to remove a white fringe, then place the subject into the world composition and use Gaussian Blur for realistic depth.

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Vocabulary

Background Removal โ€” Separates the main subject cleanly from the original background., Compositing โ€” Moves a cut-out subject into a new image or environment and blends it with the scene., Gaussian Blur โ€” A soft blur that reduces detail and simulates depth or distance., Depth of Field โ€” The visual relationship between foreground, subject and background elements in a composite., Layer Mask โ€” Adjusts the edges and mask of a cut-out so the subject blends naturally into its new environment.

A convincing composite depends on more than a clean cut-out. Match scale, lighting, color and sharpness, then apply Gaussian Blur selectively so distant parts of the scene feel farther away and the subject belongs in the new world.
Week 3 project work: remove the background, place the subject into the Around the World scene, and use Gaussian Blur where needed to create realistic depth.

Week 4 โ€” Advanced Portrait Editing

Day 1: Creating a Passport Size Photo

Crop, retouch and format a professional passport-size photo from start to finish.

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Vocabulary

Crop Tool โ€” Trims the canvas down to an exact size and ratio., Passport Size (2x2 in) โ€” The standard 2x2 inch dimension required for most ID and passport photos., Solid Color Fill โ€” Replaces the background with a flat, regulation color โ€” usually plain white., Dodge & Burn โ€” Lightens or darkens areas to even out skin tone and lighting., Resolution (DPI) โ€” Passport photos are typically saved at 300 DPI for sharp, print-quality results.

Passport photos follow strict formatting rules โ€” exact size, plain background, even lighting, natural expression โ€” so precision matters more here than creativity.

Day 2: Transform & Puppet Warp

Practice Transform controls and Puppet Warp to reposition, reshape, and refine portrait elements while keeping the edit flexible.

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Vocabulary

Transform โ€” Changes an object's size, position, rotation, or perspective., Puppet Warp โ€” Pin-based tool for flexible distortion., Control Points โ€” Mesh points used to control a Puppet Warp transformation., Transform Controls โ€” The handles and controls used to resize, rotate, and reposition an object., Non-Destructive Workflow โ€” An editing approach that keeps the original information available for later changes.

Big Ideas

Use Transform for controlled size, position, rotation, and perspective changes. Use Puppet Warp when you need more flexible, pin-based reshaping. Work non-destructively so the portrait can be adjusted again.

Week 5 โ€” Independent Time & Practice

Day 1: Independent Learning & Practice

Use independent time to review the course skills, revisit screencasts, and practice the techniques you need most.

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Independent Time

Work at your own pace. Rewatch released screencasts, review Read Me notes, and practice the techniques that need more repetition.

  • Choose one skill to strengthen.
  • Recreate the technique from memory.
  • Save your editable work and compare your result with the lesson.
The goal is confidence and independence: identify what you need, practice it, and improve without waiting for a new teacher demonstration.

Day 2: Independent Practice & Review

Use a second independent practice session to strengthen weak areas, finish unfinished work, and prepare for the next phase.

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Practice Time

Choose a focused task and complete it independently. Revisit Transform, Puppet Warp, portrait retouching, background removal, or any earlier skill that needs more practice.

  • Set a clear practice goal.
  • Complete the task from start to finish.
  • Check your layers, file naming, and saved working file.
Independent practice is about applying the skills without step-by-step prompting and knowing when to review a lesson before continuing.

Week 6 โ€” Phone / iPad Mockup (Project Week)

PROJECT DAY

Day 1: Mockup Project

Create a mobile or poster mockup using smart objects.

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Objective: Build a professional presentation mockup using smart objects.

  • Import your design into a pre-made PSD mockup file.
  • Use Smart Object layers to replace the placeholder.
  • Adjust lighting and shadows using Levels and Drop Shadow.
  • Save as high-quality JPEG for presentation.
Full brief: Group Projects tab โ†’ "Week 6 ยท Phone / iPad Mockup".
PROJECT DAY

Day 2: Practice Variations & Mockup Submission

Practice extra mockup types, then finalize and submit your mockup.

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Objective: Strengthen mockup editing skills, then craft glowing, metallic, or embossed text effects using blending and texture overlays.

  • Try 2โ€“3 different mockup templates; refine placement and lighting.
  • Apply Bevel & Emboss, Drop Shadow, and Gradient Overlay.
  • Submit via Group Projects tab โ†’ "Week 6 ยท Phone / iPad Mockup".

Week 7 โ€” Text on Any Surface with Vanishing Point

Day 1: Text on Any Surface (Vanishing Point)

Apply realistic text on walls, floors, or objects using the Vanishing Point filter.

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Objective: Learn to map and blend text realistically to perspective planes.

  • Open your background image and create a new layer for text.
  • Go to Filter โ†’ Vanishing Point and define perspective grids.
  • Paste or drag your text layer into the vanishing point plane.
  • Adjust lighting, opacity, and blending mode (Multiply or Overlay).
PROJECT DAY

Day 2: Refine Vanishing Point Text & 3D Pop-Out Effect

Refine lighting and texture, then create an illusion of objects or text popping out of the frame.

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Objective: Refine realism from Day 1, then combine layer masking and 3D perspective to make subjects break out of the photo boundaries.

  • Use Clone Stamp Tool or Healing Brush to merge edges; match lighting with Curves and Hue/Saturation.
  • Import an image and add a white frame around it using Rectangle Tool.
  • Duplicate the image layer and mask parts that should appear outside the frame; add Drop Shadows for depth.
  • Use 3D Text with Bevel & Emboss to complement the effect.

Final look: your subject or text appears to pop out from the image into real space.

Week 8 โ€” Independent Study & Project Refinement

Day 1: Independent Study & Practice

Spend today refining your previous Photoshop projects.

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Focus Areas:

  • Revisit your Week 4, 5, 6 and 7 projects.
  • Enhance details, lighting, and text alignment.
  • Experiment with extra effects: Outer Glow, Color Balance, or Gradient Maps.

Self-paced session for mastery and creativity.

Day 2: More Independent Study & Vintage Photo Editing

Keep refining projects, then explore how to give your photos a timeless, vintage feel.

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Focus Areas:

  • Continue polishing Week 4โ€“7 projects: details, lighting, text alignment.
  • Apply sepia tones and faded color effects.
  • Use Film Grain or Noise filters for an aged texture.
  • Experiment with Vignette and Curves Adjustment for mood enhancement.
  • Try blending overlays like Dust & Scratches for authenticity.

Bring a nostalgic aesthetic to your modern photos through creative vintage effects.

Week 9 โ€” Gojo Pop-Out Project

PROJECT DAY

Day 1: Neon Text Effect

Create glowing neon text with light blending.

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Objective: Glow, contrast, color blending.

PROJECT DAY

Day 2: Neon Sign + Wall Effect & Submission

Make a realistic glowing wall-mounted neon sign, then finalize and submit your Gojo pop-out project.

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  • Create metal frame; add realistic wall texture; use glow layers.
  • Brush glow edges; blend mode lighten; color dodge for highlights.
  • Submit via Group Projects tab โ†’ "Week 9 ยท Gojo Pop-Out Project".

Week 10 โ€” Double Exposure & Poster Design

PROJECT DAY

Day 1: Double Exposure โ€“ Basics

Learn how to merge two images creatively.

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  • Use layer masks
  • Soft brushes
  • Black/white balance
PROJECT DAY

Day 2: Advanced Double Exposure & Poster Design

Combine shapes, forests, cities, portraits, then build a full poster blending photography + typography.

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  • Gradient mask control; blend multiple textures; color grading.
  • Cinematic color grading; strong layout; title placement rules.

Week 11 โ€” Coming Soon

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Projects

Individual project briefs, instructions, rubric, city choices, and submission tracking.

Phase 1 Project SubmissionIndividual ยท 15 marks

Week 6 โ€” Around the World with a Twist ยท Individual Project

Individual project instructions, 15-mark rubric, 50 city choices, and submission checklist for Class of 2028.

Individual Project Instructions

Choose one subject and one city from the 50-city list. Take a high-resolution portrait, replace the background with the selected city, retouch the face naturally, and redesign the clothing pattern to reflect that city's visual identity. Your final image should tell a clear individual visual story that merges the subject with the atmosphere of the city.

Individual ยท 15 Marks

Choose 1 of 50 Cities

This is an individual project. Select one city and build your own visual interpretation.

Submission Format

1. Final Photoshop File (.PSD)

  • Include organized layers: background, subject, clothing, and retouching.
  • Rename layers clearly (e.g., "Clothing Edit", "Face Retouch").
  • Remove hidden or unnecessary layers for file cleanliness.

2. Final Image (.JPG or .PNG)

  • High resolution (minimum 2000 px wide).
  • Export at quality 10 or higher; avoid compression.
  • Filename format: Firstname_Lastname_City_ClassOf2028.jpg

3. Short Creative Reflection (PDF, max 1 page)

  • Title and one-paragraph concept summary.
  • Tools used: Pen Tool, Clone Stamp, Dodge & Burn, Gradient Map, etc.
  • Design choices: color palette, lighting, clothing influence, composition.
  • Include main challenges and lessons learned.
Submit files to Class Drive Folder โ†’

Week 6 โ€” Phone / iPad Mockup Student Project

Design your own mockup inspired by the images below. Let the visuals guide your creativity โ€” focus on composition, lighting, and mood.

Deadline: Follow weekly schedule

Instructions

1. Design a phone or iPad mockup using your own creative composition.
2. Let the carousel images inspire your pose, angle, or scene โ€” don't copy, interpret creatively.
3. Ensure high resolution (โ‰ฅ1080px for phone, โ‰ฅ2048px for iPad).
4. Use warm accents subtly to enhance mood.
5. Export your file as Firstname_Lastname_PM.jpg.
6. Click "Submit to Class Drive Folder" to upload your final work.

Mockup Note: A mockup is a visual prototype showing your design concept clearly.
Rubric: Composition 40%, Lighting & Mood 30%, Creativity 20%, Resolution & Presentation 10%.

Creating a 3D Mockup and Composition

What: A 3D mockup is a digital visual showing your design applied on a realistic object like a phone, tablet, or poster. It helps visualize how your work looks in real life.

Why: It gives your design depth and realism. 3D mockups make presentations professional, help with perspective accuracy, and make your work more engaging.

When: After completing your main design (photo or layout), use Photoshop or an online tool like Photopea or Smartmockups to place your design inside a 3D frame or screen.

How:

  • Prepare your final image or layout.
  • Use a smart object or mockup template.
  • Insert your design into the mockup layer.
  • Adjust lighting, reflection, and perspective for realism.
  • Align background color or blur to match your theme.
  • Export the final composition as JPG or PNG.

Week 9 โ€” Gojo Pop-Out Project (Group Project)

Propose 3 design ideas and attach draft images. Submit your files directly to the class Google Drive folder to get the rubric.

Group Details

Enter a group name.

Propose 3 Design Ideas

Idea 1

Idea 2

Idea 3

Week 16 โ€” Elemental Portraits

Fuse a portrait with a force of nature to create a surreal Elemental Being. The capstone project for Class of 2028.

Final Project

General Instructions

Choose one elemental force below and fuse it with a self-portrait (or a willing model) to create a surreal "Elemental Being." The fusion should feel physically believable โ€” as if the force is erupting from, wrapping around, or replacing part of the subject โ€” not simply pasted on top. Use blending modes, layer masks, Liquify, and color grading to sell the illusion, and build a short visual story around your character: who are they, and where does their power come from?

Class of 2028

Submission Format

1. Final Photoshop File (.PSD)

  • Include organized layers: portrait, element textures, blending/masking, and color grade.
  • Rename layers clearly (e.g., "Fire Overlay", "Skin Glow Mask").
  • Remove hidden or unnecessary layers for file cleanliness.

2. Final Image (.JPG or .PNG)

  • High resolution (minimum 2000 px wide).
  • Export at quality 10 or higher; avoid compression.
  • Filename format: Element_CharacterName_ClassOf2028.jpg

3. Short Creative Reflection (PDF, max 1 page)

  • Character name and one-paragraph origin story for your Elemental Being.
  • Tools used: Layer Masks, Blend Modes, Liquify, Dodge & Burn, Gradient Map, etc.
  • Design choices: color palette, texture sourcing, and how you sold the fusion.
  • Include main challenges and lessons learned across the whole course.
Submit files to Class Drive Folder โ†’

Read Me โ€” Course Notes

Four focused weekly note packs. Open a card to study the lesson, review the vocabulary, use the tips, then choose Mark as Read when you are ready for the 5-question check.

Important โ€” Read Me pop-out quiz: After you finish a Read Me section, click Mark as Read. A 5-question pop-out check will appear. Complete it before moving on so your score is recorded.

WEEK 1 Open ยท Save ยท Export

Week 1 builds the file-handling habits you need before editing: create or open the correct document, save an editable working file, and export a finished copy in the format your project requires.

01

How to Open

Use File โ†’ Open to bring an existing image or Photoshop document into the workspace. You can also open a file from the start screen or drag a supported file into the editor.

  1. Choose the file you actually intend to edit.
  2. Check the image dimensions and resolution before doing detailed work.
  3. Confirm that the document opens with the expected layers or image content.
02

How to Save

Save protects your editable working file. For Photoshop projects, save the working version as a PSD so layers and editability remain available.

  1. Use File โ†’ Save As when creating the first named working copy.
  2. Choose a clear filename and a folder you can find again.
  3. Save repeatedly while working so your latest edits are preserved.
03

How to Export

Export creates a delivery copy for a specific use. Use File โ†’ Export โ†’ Export As when you need a JPG, PNG, or another final image format.

  1. Keep the PSD as the editable master.
  2. Choose the format that matches the destination.
  3. Check dimensions, transparency, quality, and filename before confirming the export.
Week 1 Vocabulary

PSD โ€” An editable Photoshop document that preserves layers and other working information.
Open โ€” Opening an existing file so it becomes the document you can edit.
Save โ€” Writing the current working document to a saved file so the editable work is preserved.
Export โ€” Creating a final-use copy of the design in a selected output format such as JPG or PNG.
Folder โ€” The physical or digital location where the working file is stored.

Quick tip: Think PSD = master working file and export = delivery copy. Do not replace your editable master with a flattened delivery image.

WEEK 2 Destructive vs. Non-Destructive Editing

Week 2 explains what happens when an edit changes the original pixels directly, why that can become difficult to undo later, and how a non-destructive workflow keeps the original information available.

A

Destructive Editing

A destructive edit permanently changes the pixels or content you are working on. If you later need the original detail, you may have to undo many steps or reopen an earlier version.

Example: painting directly on the only copy of a raster layer and then saving over the original can remove information from that working layer.
B

Non-Destructive Editing

A non-destructive workflow keeps the original information available while edits are applied through layers, masks, adjustment layers, smart objects, or other reversible methods.

Goal: make an edit, inspect the result, and still be able to change or remove that edit without rebuilding the entire image.
C

Raster Images & Pixels

A raster image is built from a grid of tiny picture elements called pixels. Each pixel stores color information that contributes to the complete photograph or graphic.

Important: when a raster image is enlarged too far, individual pixels become more visible and the image can lose apparent sharpness.
Week 2 Vocabulary

Destructive Editing โ€” An edit that directly changes original image information or pixels and can be difficult to reverse later.
Non-Destructive Editing โ€” An editing workflow that preserves original information so changes can be adjusted or removed later.
Raster Image โ€” A digital image made from a grid of colored picture elements rather than mathematical paths.
Pixel โ€” A tiny picture element in a raster image that stores color information.
Reversible Workflow โ€” A way of applying an edit while keeping the source information available for later changes.

Why it matters: non-destructive editing gives you more control. You can compare versions, correct mistakes, change your mind, and keep the original image information available.

WEEK 3 Remove ยท Refine ยท Place ยท Blur

Week 3 turns background removal into a complete composition workflow: isolate the subject, clean the edge, remove a white fringe, place the subject into the world scene, and create realistic depth with Gaussian Blur.

01

Removing Backgrounds

Use a selection method that fits the subject, create a clean subject mask or isolated layer, and inspect difficult edges such as hair, fur, and fine clothing details.

02

Smudge Tool

Use the Smudge Tool carefully around fine edges to blend or restore small areas. Keep the brush controlled and avoid smearing important facial or clothing details.

03

Removing the White Fringe

If the old background leaves a bright halo around the subject, refine the edge instead of accepting the visible outline. A white fringe is especially obvious when the subject is placed on a darker or colorful background.

04

Filter โ†’ Other โ†’ Minimum

With the subject selection or mask targeted, use Filter โ†’ Other โ†’ Minimum to contract the edge slightly. This can pull the mask inward and help remove a thin white line left by the original background.

05

Place the Subject into the World

Move the cleaned subject into the new world composition. Match scale, position, lighting, color, and perspective so the subject feels like part of the scene rather than a pasted cutout.

06

Gaussian Blur for Realistic Depth

Use Gaussian Blur selectively to create depth of field. Background elements that sit farther from the camera can be softened more than the main subject, helping the composition feel photographic.

Week 3 Vocabulary

Background Removal โ€” The process of isolating a subject from the original background so it can be placed into another composition.
Smudge Tool โ€” A Photoshop tool that blends pixels by dragging color and texture from one area into another.
White Fringe โ€” A visible light-colored outline left around a subject after the old background has been removed.
Minimum โ€” A Photoshop filter found under Filter โ†’ Other that contracts an edge by a chosen amount.
Gaussian Blur โ€” A blur filter used to soften image detail and simulate reduced focus or depth of field.
World Composition โ€” The visual arrangement where the isolated subject is integrated into a new scene or environment.
Subject Edge โ€” A controlled layer or selection edge that separates the subject from its previous background.

Pro tip: clean the edge before adding blur. Gaussian Blur should help establish depth in the final scene, not hide a poorly removed background.

Screencasts

The released recordings are available in the cinematic theater. Additional recordings remain gray until they are released.

Important โ€” Screencast pop-out quiz: Watch the recording, then click Next โ–ถ to save it as watched. A 5-question pop-out check will appear after the recording is completed.
โ€”
๐Ÿ“Œ Watch โ†’ Next โ–ถ โ†’ Quick Check. Finish the recording, then click Next โ–ถ to save your progress and open the 5-question screencast check.
Select a recording Graphic Design & Photoshop ยท Screencast recordings

Select a recording

Pick any recording from the list to see what it covers.

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Up next ยท 23 recordings

Additional Materials

Extra readings, references and files from your instructor โ€” tap a thumbnail to preview right inside the card, or open it in Google Drive.

Assessment

Phase 1 Assessment

Unlocks in Week 6. Click the assessment to open the full-screen quiz, then complete the shuffled 15-question assessment in one sitting.

My Progress

Everything tracked toward your grade โ€” lessons, week-end quizzes, reading, vocabulary, and screencasts.